Heavy rainfall caused 5 deaths and 290,000 people in Chuxiong, Yunnan Province to be affected by the disaster.

  Xinhua News Agency, Kunming, September 24th (Reporter Ji Zhepeng) The reporter learned from the Disaster Reduction Committee of weichu, Yunnan Province and the State Civil Affairs Bureau on the 24th that since September, six counties in northern Chuxiong Prefecture, Yuanmou, Yongren, Dayao, Wuding, Lufeng and Mouding, have experienced torrential rains once in 30 years, and heavy rainfall has caused mountain torrents and mudslides. As of 23: 30 on the 23rd, the disaster has caused more than 84,000 households and more than 290,000 people in 10 counties and cities in Quanzhou to be affected, with 5 people killed, 2 missing and 7 injured. At present, various disaster relief work has been carried out in an orderly manner.

  Since September, the average rainfall in Chuxiong Prefecture has reached 224 mm, 135 mm more than the same period in previous years, setting a new record for the largest rainfall in the same period in history. Among them, the rainfall process from 16th to 20th is the strongest precipitation weather process in Quanzhou since the flood season this year, which is rare in the same period of history.

  Heavy rainfall caused catastrophic mountain torrents and mudslides in Yuanmou County, forming two dammed lakes, which caused the interruption between Hongjiang and Cucumber Park in chengdu-kunming railway. A slope collapse occurred in the uplink of Kunming-Chu Expressway, which caused traffic disruption in the direction from Chuxiong to Kunming. The state’s agricultural crops were affected by 9026.8 hectares, 415 households with 1052 houses collapsed, 3 schools with 64 rooms with 1735 square meters collapsed, and a large number of roads, water conservancy facilities, communication and power facilities were damaged, resulting in serious economic losses.

  After the disaster occurred, the Disaster Reduction Committee of Chuxiong Prefecture launched the Class III emergency response of natural disaster relief in Chuxiong Prefecture on September 18th, and the state finance allocated 4.6 million yuan for emergency relief. The water affairs, transportation, land, civil affairs, fire protection and other departments organized their efforts to rescue the dam pond and reservoir, and repaired the Tongcun highway that dredged the landslide. At present, the state has invested more than 16,000 rescue and relief forces and dispatched more than 1,600 mechanical vehicles to ensure the smooth lifeline of disaster areas and the smooth development of disaster relief work.

  At the same time, public security, fire control and other departments sent working groups to further increase the search and rescue efforts for missing persons. At present, a missing person who was washed away by mudslides in Zhenhao Village, Cucumber Garden, Yuanmou County was searched at 7 am on the 23rd to confirm his death. Two missing persons in Wuding County are still in full search.

  After a day-and-night struggle by kunming railway administration, China Railway and other units, at 11: 31 on the 23rd, the entire line of chengdu-kunming railway, which had been suspended for six days due to the mudslide disaster, was rushed through, and the passenger trains on Chengdu-Kunming Line will fully resume normal operation on the 24th. At present, the diversion channels of Hailuo and Zhubu dammed lakes formed by the "9.17" catastrophic mudslide in Yuanmou County have been fully opened and the water level has begun to drop.

  According to statistics, at present, 2,539 households with 8,220 people have been resettled in Chuxiong Prefecture, and the injured people have been properly treated.

Carrying a debt of 1 billion but taking 60 million to build a toll station? Controversy caused by charges in Suhuai section of national highway.

  A few days ago, the Jiangsu provincial government approved the collection of tolls on the Suhuai section of National Highway 205, which caused great controversy. Qilu Evening News A reporter from Qilu found that the toll station already has basic functions. This is the first time that a toll station has been added to this section. Suqian and Huai ‘an connected by this toll station ranked second and third from the bottom in Jiangsu in the fiscal revenue statistics of the first three quarters of 2023.

  In fact, in the past two years, many toll stations have been added. These "retrograde" new toll stations have caused dissatisfaction among drivers, which has also aroused widespread public concern.

  Reporter chenchen Yue Zhicheng

  18-year old driver

  Newly added toll gate on Shouyu National Highway

  Master Liu, a truck driver in Tangshan, has been running on National Highway 205 for 18 years.

  National Highway 205 starts from Qinhuangdao, Hebei, and ends at Shenzhen, Guangdong, passing through Tianjin, Shandong, Suzhou and other places, with a total length of 2,976 kilometers.

  Last year, when Master Liu drove past the junction of Huai ‘an and Suqian in Jiangsu Province, he found a small building under construction along the national road. Master Liu was very excited, thinking that the service area was built, and he excitedly said to his peers, "There will be a place to rest in the future."

  Unexpectedly, after the completion, Master Liu was stupid. It turned out to be a toll booth. "I was happy for nothing, but I thought it was to serve us."

  On October 20th, the People’s Government of Jiangsu Province approved the request of Suqian and Huai ‘an Municipal People’s Governments to levy vehicle tolls, and requested that Suhuai Toll Station of National Highway 205 be levied after it is completed and meets the requirements. According to the management of government repayment roads, the two governments will jointly collect fees, and announced the charging standards for various buses and trucks, ranging from 10 yuan to 50 yuan.

  Is there a charge for the national highway? Many netizens raised questions, and the matter quickly fell into controversy.

  In fact, the national highway toll is nothing new to Master Liu. In recent years, he has been delivering goods from Tangshan to Changzhou and Wuxi, and National Highway 205 is the only way.

  "At the beginning, we all ran high-speed, and we couldn’t afford to run next road. There were too many toll stations." Master Liu counted that there used to be many toll stations on the 205 National Road. "There are four or five in Jiangsu." Seven or eight years ago, these toll stations were gradually cancelled, and Master Liu took the national highway from the expressway.

  At present, except for a toll station crossing the river and the Yellow River, there is only one toll station in Xinyi, Jiangsu Province on the 205 National Road that Master Liu passes through, but he chose to bypass. Now Jiangsu has built a new Suhuai toll station. Although there is no charge yet, Master Liu has studied the detour route. "After running for so many years, I have never seen fewer and fewer toll stations, and this is the first time I have seen it."

  Li Shifu, a truck driver from Liaoning, also said that he had never encountered a new toll station on the national highway for many years. Li Shifu disapproved, but there was nothing he could do.

  Registration of license plates of nearby residents

  Or free passage.

  The Suhuai Toll Station of National Highway 205 has been completed, which is located near Xinqiao Village, Qianji Town, Shuyang County, Suqian City, and the Huai ‘an boundary is not far to the south. There are workers in the supporting management room on the side, and the gate of the compound has not been built yet.

  On the morning of November 11, the reporter saw at the scene that the original two-way four-lane National Highway 205 increased its lanes when it approached the toll station. There are four entrances in one direction, but only the "mixed lane" with the outermost entrance displayed in green can pass, and the other lanes display "lane maintenance".

  In addition to trucks and cars, there are also nearby residents riding tricycles or electric cars. There are no people on duty in the toll booth.

  Mr. Wu, a resident of Qianji Town, told reporters that on November 2 nd and 3 rd, a staff member informed the community that all owners of small cars with less than 7 seats registered in Qianji Community should go to the community from 6 th to 9 th of this month to provide ID cards and copies of vehicle driving licenses.

  Although the notice did not explain the reason, residents all know that this is to prepare for the charges of the Suhuai toll station.

  "There is no charge for our car, and people outside will have to pay for it." Mr. Ge, a resident, heard that the large vehicles of Qianjiren will also be charged.

  On the afternoon of November 11th, a staff member of Qianji Community Party and Mass Service Center said that the information collected a few days ago had been reported, and "registration is free".

  Mr. Ge opened a car repair shop near the national highway. He has a motor tricycle, which was not registered. He said that if there is a car on the other side of the toll booth that needs maintenance in the future, he will increase the round-trip toll.

  1 billion debt and

  More than 60 million toll stations

  In the eyes of some local people, the charges of Suhuai Toll Station on National Highway 205 are closely related to local finance. It is reported that at the beginning of the year, Jiangsu Provincial Bureau of Statistics announced the economic operation data of the province in 2022, and the regional GDP of Suqian and Huai ‘an ranked last.

  According to the interface news report, the staff of Jiangsu Provincial Department of Transportation said that the Suqian-Huai ‘an section of National Highway 205 was originally financed and built as a toll road, and now there are nearly 1 billion yuan in stock debts. This road is a first-class road for government to repay loans, and it can be charged according to regulations.

  The so-called government repayment highway refers to the toll road built by the transportation department of the local people’s government at or above the county level with loans or paid funds from enterprises and individuals. According to the regulations, the continuous mileage of the first-class highway should be more than 50 kilometers.

  As early as 2018, Shuyang County, Suqian City reported for approval to build the Suhuai Toll Station of National Highway 205, and was approved by the Jiangsu Provincial Development and Reform Commission. It is also mentioned in the reply that "in order to improve the service level of the national highway and ease the repayment pressure of the government", the total investment of the project is 68.65 million yuan, all of which is financed by the Shuyang County People’s Government.

  Some people question whether it is reasonable to spend more than 60 million yuan to build a toll station when there is a debt of 1 billion. How long will it take to get back to Ben? On November 10, the reporter called the Jiangsu Provincial Department of Transportation. A staff member said that he was not clear about the matter, and the phone number of the propaganda department he provided was never answered.

  Expert:

  The government should do a good job of explanation and guidance.

  The staff of Suqian Highway Development Center and Huai ‘an Highway Development Center said that the charging time of Suhuai Toll Station on National Highway 205 has not yet been determined, and it is still in the preparatory stage. The specific charging time and standard will be announced to the public in advance.

  Jia Qiang, an associate professor at the School of Transportation and Logistics Engineering of Shandong Jiaotong University and a member of China Highway Construction Industry Association, said that in fact, China is gradually reducing toll roads.

  According to Red Star News, according to incomplete statistics, at least 10 national toll stations have been added in China in the past two years.

  Jia Qiang said that according to the current "Regulations on the Management of Toll Roads", the addition of national highways in Jiangsu is in compliance, and the charges have also been approved by relevant departments.

  In the case of insufficient finance, highway toll is a way for the government to alleviate the pressure of road construction and loan repayment. Jia Qiang mentioned that, after all, in addition to the cost of road construction, road maintenance and personnel management are also part of the expenses.

  However, some people in the transportation industry believe that Jiangsu’s new toll roads are compliant, but they are not in line with public opinion. Public opinions should be fully sought before charging. The insider suggested that the government can make up for the cost of road construction in other ways, such as placing advertisements and inviting investment in service areas.

  Zhang Ruhua, director of the Transportation Planning and Design Research Center of Shandong University, believes that the charges with clear basis are reasonable. From free to charge, the government should make a reasonable explanation considering the public’s acceptance. Jia Qiang also believes that the government has the responsibility to do a good job in propaganda and guidance.

  Road construction is for the convenience of the masses. If the road is out of maintenance due to insufficient funds, people’s travel will be affected. "I hope that infrastructure investment can enter a virtuous circle." Zhang Yuhua said.

The movie channel is integrated with the live media to present the premiere of "Chang ‘an Three Wan Li".


Special feature of 1905 film network As the masterpiece of the tenth anniversary of the light-chasing animation, the film which has been prepared for many years and produced ingeniously bears the endless feelings and hopes of the light-chasing people. In the live broadcast, the director of the film exclusively shows the animated manuscripts of many characters to the audience, revealing the design concepts of Gao Shi, Li Bai, Du Fu and Princess Yuzhen in different stages.


According to Xie Junwei, the "new culture" series of light-chasing animation, the first thing that comes to mind is the free and inclusive Tang Dynasty and the elegant and romantic Tang poetry. On the premise of following the great historical context, the film as a whole will reasonably imagine historical gaps and disputes. Talking about the visual image design of the film, Zou Jing said that under the concept of "tang style, Poetry, Magnificence and Exquisiteness", the characters as a whole will pursue the texture of Tang figurines, observe Li Bai from an objective perspective, and shape Gao Shi with the tenacity of ordinary people.



In addition to the live interview with the film channel, Gao Shi and Li Bai were voiced in the film, and they also bowed after the premiere of the film to thank the efforts and efforts of chasing the light. In their view, the creative process of "Three Wan Li in Chang ‘an" is even more "the ideal three Wan Li", which is not easy to pay and is expected to gain the affirmation of the audience.



A large number of poems are the deepest impression of many screening audiences on Three Wan Li in Chang ‘an. Peng Min, a guest in the live broadcast room of the movie channel, bluntly said that this movie is an "animated version of the poetry conference". He once won the champion of the fifth season of the Chinese Poetry Conference. He laughed and said that he was secretly "competing" when watching the film. "I thought that these Tang poems were all memorized, but I was careless. There are many poems that I didn’t pay attention to before, and I am still doing my homework."


From Li Bai, the bohemian "fallen immortal", to Gao Shi, a "worldly person", and then to Du Fu, a "imp" who is different from ordinary people’s imagination, the luxurious crowd of Tang poetry in Changan Three Wan Li also intoxicated Peng Min. In his view, it is something that the audience can adjust the images of these poets in their minds, which has never been done in previous films. This new interpretation system is entertaining and entertaining, and the characters are amiable and funny, which also shortens the sense of distance, especially for small audiences to learn China traditional culture.



Later, Jiang Zhulang, who was a guest in the live broadcast room, also spoke highly of the film, bluntly saying that "there was no air port to go to the toilet for two and a half hours" when watching the movie. From the animation point of view, she emphatically commented on the colorful passages in the film, such as Hu Xuan’s dancing with sleeves flying over, and the imaginary soaring of "Coming into Wine", and repeatedly praised the animation of the film to depict the clothing trends in the Tang Dynasty and restore the etiquette details. "Shooting a true historical story is like walking a tightrope. The Tang Dynasty is both a true history and a cultural image. It can’t be too empty and too real. Only a good creation can break through this constraint."



Chang ‘an weather, Xi ‘an reappears. Accompanied by drizzle, the main venue of the world premiere of "Chang ‘an Three Wan Li" in Xi ‘an was grandly opened in Datang City that never sleeps. Tang style’s ancient rhyme, "Yin" comes to "recite" the past, and the film’s creators get together with guests and friends, and there are many people who restore the makeup of costumes in the prosperous Tang Dynasty to express their excitement, and enjoy the ultimate romance of the exclusive China people.



As early as before the premiere, the host of the movie channel had taken live footage and carefully scanned the unique Changan Fenghua here. During her visit to the city that never sleeps in Datang, she and "Li Bai", who came from the west, exchanged poems as evidence, and randomly "made friends with poems" with the audience to feel the profound cultural heritage of the ancient capital Xi ‘an. In the Tang costume clothing store, colorful clothes with different styles for men and women are dazzling, and visitors can experience the beauty of Tang makeup. Put on a beautiful Tang suit, Li Dan went to the garden with Princess Yuzhen, who came from a big battle, and lingered among the delicacies to enjoy the prosperity and prosperity.



Off-line absolute beauty is full of poetry on-line. During the live broadcast, many cultural celebrities and filmmakers participated in the activities of reading Tang poems on the cloud to arouse the memory of the audience of the whole network for classic Tang poems. Among them, Meng Man, a professor at Minzu University of China, and chen more, the champion of the fourth season of the Chinese Poetry Conference, read Gao Shi’s famous poems Yan Ge Xing and Bie Dong Da respectively, while the film performance artist heroically read Li Bai’s long poem Coming into the Wine, and filmmakers such as,,, Chen Yongsheng,,, and also read Bai Di Cheng in the morning, a farewell to meng haoran on his way to yangzhou in the Yellow Crane Tower, Li Yong in the morning and Thinking about Quiet Night respectively.




From the perspective of Gao Shi, the animated film "Chang ‘an Three Wan Li", which tells the story of his decades-long friendship with Li Bai, was screened in 342 cities across the country on the same day when the film channel was broadcast live, and it gained 24.66 million box office achievements and high reputation feedback from the audience. On July 8th, Gao Shi, Li Bai and other poets of the Tang Dynasty led the era of elegance, looking forward to meeting you on the screen.


The hope of domestic animation is hidden in these capsules.

Text | Zhang Xingruo

Few people know that jiaozi, the director of Ne Zha, used to be called Jiao Keli. He once filmed an animated short film "Hit, Hit a Big Watermelon", which was popular all over the network and won more than 30 awards.

After that, although jiaozi has been doing animation, most of the time he is receiving advertisements, outsourcing and saving money for originality. The success of the phenomenal domestic animation "Nezha" is hard-won, which is inseparable from the precipitation of experience and years, and is the result of years of accumulation.

Coincidentally, the director of the Great Protector, Bu Sifan, also directed the animated short film Blackbird, successfully embedded in the animation industry, and slowly grew up to make an explosive masterpiece. This makes people wonder: Is it possible that animated short films are experimental fields for cultivating outstanding young directors?

This speculation is not unreasonable. Relatively speaking, short films are small in size, short in creation cycle and low in cost, which is more suitable for new directors to "practice their hands", try and explore different styles, and collect user feedback in time to guide subsequent creation.

But who will do the animated short film? How? Where to do it? This is a problem that practitioners need to think deeply. A new generation of young directors is born at the right time, and all platforms have pushed support programs, and now a talent experimental field is being rolled out for them.

Recently, animation short films such as Boundaries, Hysteria, Ultimate Experience, and The Way Back, attracted the close attention of animation lovers. These works are hatched by the "Capsule Project", an animation support project of bilibili. They are themed around seven extreme emotions, and have all kinds of styles, such as science fiction, national trends and surrealism. Many netizens regard them as the "China version of Love Crashes".

The core of a sound animation industry chain is still the talent pool of young directors. Compared with the legendary and difficult reproduction of explosive works, it is undoubtedly more exciting for outstanding creators to find a vibrant industrial ecology embedded with opportunities.

Today, although domestic animation has gradually occupied the dominant position in the domestic market, many industrial problems still exist. The first point is that the talent pool is thin and the original confidence is slightly insufficient, which directly restricts the content innovation of domestic animation.

After so many years of shouting about the rise of the country, we do have a solid work and market, but the phenomenon of homogenization of themes is also quite obvious. After The Return of the Great Sage and Nezha became popular, a large number of works told China myths and historical stories. The popularity of animated films such as Legend of Deification New Gods: Nezha Reborn’s Yang Jian was obviously not as good as before, and their word-of-mouth was also polarized.

This is almost a necessity. Because the original content itself is uncertain and the initial investment is large, many novel ideas die without financial support and market attention, which is the invisible hand of the market at work and the choice for investors to avoid risks.

In this way, young animation directors, who lack the opportunity of trial and error, can only create works that conform to the mainstream aesthetics and put their own unconstrained brain holes on the shelf. The current situation is that young directors need creative freedom, and animation lovers are calling for "wanting to see something new".

Bilibili’s "Capsule Plan" is the echo of the market. The 14 short film animations all have the characteristics of strong creativity, strong resonance and strong empathy, and each work has popular topics for discussion, such as domestic violence, alcoholism, affection and so on, which is thought-provoking.

Most importantly, these short films reflect the director’s distinctive style and unique thinking. Among them, Hysteria and Ultimate Experience, two works, with their unique painting style and perspective, deeply discuss the topic of social pain points, realizing the organic unity of aesthetic value and emotional value.

Hysteria tells the story of a drunken man coming home and fighting with a mouse from the perspective of an alcoholic man, and reflects the theme of domestic violence with metaphor and irony. The film combines the concern for social issues, the depiction of complex human nature and the penetration of universal values, which is worth pondering by the audience.

Cai Yuanqing, director of Hysteria, told Reading Entertainment Jun that when he was studying in the Academy of Fine Arts, he chatted with others and found that his common domestic violence was incredible in the eyes of many friends. Cai yuanqing created hysteria, an animated short film with great humanistic concern, based on his own knowledge and experience.

Similarly, Zhu Qing, the director of Ultimate Experience, often extracts creative materials from the details of life. Last year, his mind came up with a complicated world outlook and the setting of high-tech Taoist priests. In addition, he loved watching live games and thought that different elements could collide into a complete story.

The capsule plan made this "almost impossible" idea successfully land. In the short animation "Ultimate Experience", the audience saw that the protagonist Xiao Kai sold the sensory experience through live broadcast, and was "taken away" because he could not resist his desire, and finally had a bizarre experience with the Cyber Taoist in the process of "exorcism".

Zhu Qing stressed with Reading Entertainment Jun, "I prefer to talk about what I have seen, experienced or are very interested in." For example, the story of Ultimate Experience takes place in a place surrounded by mountains and foggy, and this is "the common weather in Chongqing".

In addition, the national tide of science fiction in Boundaries, the warm affection in Going Home, and the short parents in Guang Chen is just right … all kinds of novel brains and vigorous creative attitude also reflect the thoughts of a new generation of young directors.

Screenshot of "Guang Chen is just right"

In a word, the capsule project is a pioneering experiment of domestic animation, and it is also an important exploration to protect creativity. These contents can not only provide nutrients for the future creation of young animation directors, but also escort the diverse contents of domestic animation.

In recent years, it is clear that there are many support programs for young animation directors, and there are a lot of funds and flows to enter the market. It is clear that young directors themselves have a strong desire to grow, but why is the overall performance mediocre and it is difficult for their works to reach the core audience?

In fact, careful observation will reveal that most of the support programs for young animation directors are relatively simple, focusing only on a certain link of creation, without supporting services. More importantly, any support plan needs to find suitable soil before it can brew the greatest commercial value.

In contrast, the "Capsule Project" itself is highly advanced and diverse, and it has many inherent advantages to take root and sprout in bilibili. We should know that this plan is based on the creation of short films, and it not only incubates and supports talents in the animation field, but also looks to areas such as movies, games, advertisements and so on that may breed animation elites.

In fact, more than one young animation director mentioned that after graduation, they had few opportunities for trial and error, and their innovation and creativity could not be guaranteed, and their enthusiasm slowly faded away. Cai Yuanqing, director of Hysteria, also revealed that he is now facing a similar situation.

Reality makes it so. The birth of the explosion is very accidental. If it is completely in accordance with the market way and the most cost-effective way, the new young director is obviously not the best choice for investors. In this case, short films with light content and natural fit for short video era are undoubtedly a good springboard for them to realize their dreams.

In the view of Zhu Qing, director of Ultimate Experience, making short films is the only way for young directors. After filming a complete work, you can at least understand the production process. Moreover, short films can alleviate the financial pressure of creators, and they can do interesting and interesting things more easily. "The attraction of the capsule project is to give creators freedom to a great extent."

Of course, the creative expression of young directors is important, but good works must be seen, accepted and even condensed into a certain consensus, so as to release the greatest content value and become a real link between animation practitioners and audiences. To do this, it will test the user composition and consumption ecology of the platform.

In a youth community like bilibili, users’ aesthetic diversity and high acceptance are more conducive to the dissemination and infiltration of experimental and pioneering works. The younger generation is happy and good at speaking out for the content of interest, bringing full exposure and exploring new communication points.

Comment area of short film animation "Hysteria"

When the domestic animation "Yuan Long" was launched, the original work was far less than the male-frequency headline. However, the elements of soldier king, son-in-law, and crossing have been played by bilibili users, which has given considerable enthusiasm to the production of the work and pushed it out of the circle to the whole network.

After the "Capsule Project" series of short films were broadcast, the comment area was also very lively, full of works evaluation, plot disassembly, theme discussion and so on. Among them, the open ending of Ultimate Experience aroused the audience’s interest in divergent interpretation, and then collided with more brain holes outside the work, invisibly radiating the work to more audiences.

Short film animation "Ultimate Experience" comment area

Talking about the fantasy drifting of Ultimate Experience, director Zhu Qing analogized that in bilibili, creation is like building a garden. This garden is not simply self-expression, but built on the mountain and born by the water, making all tourists feel interesting and want to stop and watch as much as possible, and the users are tourists.

For a long time, we all think that animation is the children’s content of most people and the circle content of a few people, but now we can really feel that domestic animation has become an important entertainment category that is juxtaposed with drama comprehensive films on all platforms and is becoming the mainstream entertainment form of the whole people.

The all-round rise of domestic animation is inseparable from the changes in the thinking of the whole society, and it is also inseparable from the efforts of the industry itself, constantly seeking content upgrades and establishing a sophisticated and mature full-chain operation ecology. Therefore, discussing the success of an animated short film and a support plan should not only stay in front of us, but also put it into the whole platform ecology to think about its brewing value.

Screenshot of the animated short film Tomato Restaurant

Let’s say that the Capsule Project is actually only a key step for bilibili to support domestic animation, and its ultimate goal is to form a super ecological chain with animation as the core, and all ideas and works can be fully developed and nourished as long as they are involved in the industrial layout ecology of the platform.

This is a true interpretation of long-termism. At last year’s bilibili Guochuang conference, the platform officially launched the "Light Seeking Plan". On the basis of the original "Small Universe Plan", it added a "Capsule Plan" for mature animation production teams and a "Original Stone Plan" for the widest range of animation enthusiasts, aiming at excavating and supporting more domestic animation creators.

Therefore, bilibili’s animation support plan is to build an all-round training system, deeply participate in many links of production and creation, and systematically give help and guidance to animation creators and fans with different attributes.

The douban score of "Capsule Project" is as high as 8.8, and the broadcast volume and discussion degree are still growing, and the outstanding achievements are obvious to all. The performance of "Small Universe Plan" and "Original Stone Plan" is also remarkable. After the launch of "Small Universe Plan", the number of submitted works has exceeded 10 million. At the same time, many outstanding works have successfully signed contracts with bilibili, and the development of animated dramas and films has been completed or is being promoted.

Some works that have been completed or are being promoted by the "Small Universe Plan"

Of course, the smooth progress of these plans cannot be separated from the nourishment of the whole national innovation zone. In 2017, in response to the growing voice of users, bilibili officially established the National Innovation Zone. In November of the same year, the platform made public the "national innovation support plan" for the first time, indicating that it would support domestic animation at all levels from investment, operation and commercial development.

Over the past six years, bilibili has long been one of the largest animation platforms in China, and it has also become a weather vane on the road of domestic animation development. At the press conference of Guochuang in bilibili last year, the official revealed that in the past four years, the cumulative number of people watching bilibili Guochuang’s animation works exceeded 340 million, with a cumulative viewing time of 1.92 billion hours, with an average annual growth rate of 40%.

In the general list of the heat index of Guduo animation, six of the top ten works are from bilibili, and masterpieces such as Life of Immortals, Linglong and Yuan Long are among them. Reading Entertainment Jun thinks that the most imaginative place in bilibili lies in the active PUGV ecology, which means that any type of high-quality animation can find the core audience here, and with the blessing of active users, it can break and expand the circle.

Take "Life of Immortals" as an example, this animation, which was adapted from the top website at the starting point, continued to increase in traffic after it was launched in bilibili, attracting new fans. In this process, "The Return Period" is an animated episode of "Biography of Immortal Cultivation X Qian Runyu" and "Biography of Immortal Cultivation" shows their magical powers. Which Taoist friends Pick? " And other materials bring a lot of attention to the feature film.

Of course, operation and communication are only the speakers of word of mouth, but they can’t create word of mouth, so content is still the most critical. We need our own "Love Crash", and the key node of industrial development needs a timely support and push from the platform. On October 29th, bilibili’s new national innovation conference will come, and the outside world is looking forward to meeting more outstanding works.

* Original article, please indicate the source when reprinting.